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La-în

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La-în, a Visayan word meaning other, is a full-length piece that examines human migration.  It unravels into a non-linear narrative of humanity’s wanderlust.  In these series of sketches,  there is always the one who leaves, the one who is left behind, and the one who welcomes (or rebukes) the voyager--constantly repeating the same patterns of behaviour, whether benevolent or malicious, in a cycle of oscillating roles. Structured like a Möbius strip, La-în weaves metaphors of cause and effect.

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